'Another 48 Hrs.'
When you've been in prison as long as we have, you remember every last quote from 'Another 48 Hrs.' starring Eddie Murphy and Nick Nolte.

Cast
Eddie Murphy as Reggie Hammond
Nick Nolte as Jack Cates
Brion James as Ben Kehoe
Andrew Divoff as Cherry Ganz's brother
Bernie Casey as Kirkland Wilson
Brent Jennings as Tyrone Burroughs
Tisha Campbell as Angel
Directed by: Walter Hill
Written by: Walter Hill, Jeb Stuart, Larry Gross, Roger Spottiswoode
Music by: James Horner
Notes
- $50 million budget, made $153.5 million at the box office. 19% on Rotten Tomatoes.
- 95 minutes runtime – Craig's Horlbeck Scale puts it at a +5 (perfect length). But the film was cut from approximately 2.5 hours to 95 minutes a week before release because Paramount panicked after Total Recall's success.
- The entire '48 hours' deadline conceit was cut from the movie. Keo's buddy Cruz had his entire arc removed, making the Iceman twist incoherent.
- Eddie Murphy was paid $12 million plus points (vs $200K for the first film). He was at the peak of his fame – Bill says him, MJ, Jordan, and Tyson were the four biggest celebrities on earth.
- The Spike Lee/Eddie Murphy Spin Magazine interview revealed deep frustration about fame and the racial burden of being the biggest Black star. CR observes Hollywood split Eddie into thirds in the 90s: Will Smith got the charm, Chris Tucker got the comedy, Martin Lawrence got the edge.
- Walter Hill's last hurrah as an A-list director. After this he had Trespass, Geronimo, Wild Bill, and Last Man Standing. Bill and CR met him at a Running Man screening and were '20% too excited.'
- Nick Nolte's career took off after this – 'Cape Fear', Prince of Tides, Lorenzo's Oil, 'Blue Chips'. The beginning of his prestige run.
- Bill's #1 'release the cut' movie. CR: 'Release the Walter cut.' Bill's pitch for a better sequel: flip it – Reggie owns Bromance, Jack gets framed, Reggie mortgages the bar for 72 hours to get him out.
- Eddie Murphy's original character name in '48 Hrs.' was Willie Biggs. He asked them to change it because it was 'too intentionally black.' They settled on Reggie Hammond and brought back Willie Biggs as a minor character in this movie.
- Bill says the stunts won the award for best stunts of 1990. Real stuntmen flying through windows, the motorcycle-through-the-movie-screen scene, and a stuntman literally set on fire for a 'nothing scene.'
- Van's flex: Best Black Guy/White Guy Action Comedy Duo list:
- #5. Danny and Ray from 'Running Scared'.
- #4. Reggie and Jack from 'Another 48 Hrs.'.
- #3. Vincent and Jules from 'Pulp Fiction'.
- #2. Sidney Dean and Billy Hoyle from 'White Men Can't Jump'.
- #1. #1 Riggs and Murtaugh from 'Lethal Weapon'.
Categories
Quote from Rog's review:
“You know how sometimes in a dream, you'll see these familiar scenes and faces floating in and out of focus and you're not sure they'll connect? Another 48 Hours is a movie that feels the same way.”
- 'If it does nothing else, Another 48 Hours reminds us that Murphy is a big, genuine talent. Now it's time for him to make a good movie.'
- Bill: 'I can't fight back on this.'
- Bill: The bus attack at 26 minutes in – Reggie's prison transport bus gets attacked, he's singing James Brown, and the movie suddenly takes off. Also the hospital scene into Reggie's car blowing up with Eddie ripping off lines.
- CR: The motocross scene – 'such an unnecessary use of burning a stuntman near to death.' Also shouts out the payphone scene as his favorite ('let Eddie Murphy cook').
- Van: The payphone scene is his favorite – the most excited he gets rewatching.
- CR: Unironically ordering brewskies and having those beers be Miller Genuine Draft bottles. Also the Iceman using an Uzi.
- Bill: This stage of Eddie's career – he's a little heavier, his hair is starting to go, wearing an oversized suit. He hates watching this movie because he thinks he's fat in it.
- Van: Convertibles in movies. Less convertibles now because less convertibles period – the convertible was phased out in the 90s. Bill blames skin cancer.
- CR: Ball-busting cop talk. 'Now Jack, a cop is a guy, and sometimes a guy steps on his dick.' They don't do chaotic precincts with sarcasm and insults anymore.
- Van: The animus between rural and metropolitan Americans – 'hillbillies, rednecks, all of this stuff. We had it then and we have it now.' Also internal affairs as scumbags in every 80s movie.
- Bill: Evil internal affairs guys, villainous biker gangs ('tell me when that doesn't work in a movie'), and the dead guy's brother coming for revenge as a sequel gimmick.
- CR: Jack's Caddy coming up the hill in San Francisco before Reggie's car explodes – spotlights at the bottom of the hill, beautiful cinematography.
- Van: Low angle shot between the bars when Reggie's getting out of jail, making them look like they're having a conversation in prison.
- Bill: The slow-motion of Reggie getting shot and Keo realizing what's happening, turning back to Jack. 'Very rarely do we have good slow-mo.'
- Bill gives the Birdcage strip club the scene-stealing location award (Denethy's Benihana Award). Could also go with the sand dunes bar from the opening.
- CR: The King My hotel (single-room occupancy) is a sneaky candidate for best scene-stealing location.
- James Horner's score – CR calls it a 'banger.'
- Bill: The plot's incoherent – Jack can't find the Iceman for years but never suspects other cops. 'Reggie's like 29, been in jail for 10 years, and figures it out in a day.'
- CR: The Bernie Casey/Tisha Campbell part felt stapled on at the end.
- Van: The story is the weak link. Also Angel refusing the $75,000 – 'That's not happening. The $75,000 is being taken.'
- CR: The gap between the two movies. 'This movie needed to come out 87 or 88 or something.'
- Bill: Why have them sing Roxanne again? 'Dude, he already did that.' A few lazy callbacks that someone on set should have stopped.
- Bill: The prison visit scene where Jack sees Reggie playing basketball – should have been the best scene in the movie but it's not good.
- CR: 'We got to get back to guys like Cherry Ganz.' A purely psychopathic bad guy – 'I don't have to worry about his childhood or what he really wants in life or who hurt him. He's like, you killed my brother, I'm killing mad cops until I get to you.'
- Bill: This is his #1 'release the cut' movie. #2 would be 'Eyes Wide Shut' because of evidence Kubrick had a different version before he died.
Frank McRae (the yelling sergeant from the first movie) was cut from this one entirely.
- Bill: The hotel clerk in the Chinatown hotel – 'she dials it up for two minutes, she's screaming.' Van adds she runs up to bitch out Nick Nolte during an active gunfight.
- CR also nominates Cherry when he sees that Jack isn't dead.
- CR: Brent Jennings as Tyrone Burroughs. Van helped his early TMZ career by catching Jennings on the street in Beverly Hills and getting an excited interview about a kid in Arkansas who scored too many touchdowns.
- Van: Bernie Casey – 'I can get you out there, Reggie. You will keep your word.' Spoke like a Shakespearean.
- Bill also mentions the hotel bartender: 'Are you going to tell me where I need to know? Are you just going to bitch a little bit more?' 'I'm going to bitch a little bit more.'
- Reggie's friend in the movie is named Willie Biggs – that was Eddie Murphy's original character name in '48 Hrs.' before he had it changed for being 'too intentionally black.'
- There's a book called 'The Films of Eddie Murphy' with the original screenplay: Jack's in a relationship with a female cop who wants to plant a gun at the racetrack to clear his name.
- Bill found a 1990 Premiere Magazine that only had a summer movie preview calling Walter Hill 'Walter Over the Hill.' 'Fuck that.'
- Walter Hill: '48 Hrs.' or 'The Warriors'. Bill and CR debate but settle on '48 Hrs.'
- Guys flying through windows after being shot by a handgun: 'Doesn't get any better than this.' They take off like 20 feet.
- Frustrating but lovable action movie sequels: CR nominates 'Predator' 2.
Neither Cruise nor Hanks works for either role. Van: 'It doesn't work.' Craig insists on picking the Nolte part. They go with Hanks as Jack Cates.
Clearly Scorsese.
Eddie shooting the gun sideways at the bar – 'anyone else want a limp?' Also the bus flip, which was a real stunt.
- Reggie shoots a guy in the knee at the bar right after getting out of jail – nothing happens.
- Van: The hotel clerk runs up to bitch out Nick Nolte during an active gunfight. 'Makes zero fucking sense.'
- CR: Every revolver in this movie has 14 bullets. Jack's revolver should hold 6.
- Bill: Cherry Ganz – 'What the fuck name is that?' Cherry should be dancing in North Beach with Angel, not leading a biker gang.
- Bill: Jack was a virulent racist in the first movie but now he's fine? Did he quit racism when he quit drinking?
- Brent Jennings is shot to death, then we're at a police morgue getting ID'd. We lose 10 hours with no cut – nobody goes to sleep in this movie.
Bill would have done the third '48 Hrs.' over a third 'Beverly Hills Cop'. CR's pitch: put Nolte in prison and have Reggie bring him out for 48 hours – flip the dynamic.
- Bill: Wayne Jenkins, Fergie the Florist.
- CR: Tom Brady analyzing Angel – 'KB, first Hickok had his way with Angel, and now you got a question: does she have enough in the tank for Cherry?'
The stunts. Bill says it won the award for best stunts of 1990. CR: 'We should make an Oscar for best motorcycle driving and it should be in for this movie.'
- Bill's alternate sequel pitch: Reggie owns Bromance, Jack gets framed for murder by the biker gang, Reggie mortgages the bar for 72 hours to get him out and find the real killers.
- How does a stripper's reputation first get earned and then spread? 'I just always wonder' (Bill).
- Van: Which is a better movie, Lawyer and Lace or Fleshpot? (The two films on the Chinatown porn theatre marquee.)
- Ganz's motorcycle, Reggie's car. Craig: The pen with the naked woman that reveals herself when the ink goes down.
- Van: Reggie's lighter and Walkman. CR: The James Brown tape.
Craig's best quote: 'If shit was worth something, poor people would be born with no assholes.'
- Bill: '48 Hrs.', obviously.
- Van: Tango & Cash.
Eddie Murphy. All three agree unanimously.
- Craig enjoys this more than the first one. He thought the original was slow, quite racist, and not nearly as funny as it should have been.
- This one cuts out all that – funnier, more enjoyable, 100 minutes of two charismatic people running around a city. 'Not a complicated rewatchable at all.'