October 14, 2025

'Sneakers'

The Ringer's Bill Simmons, Kyle Brandt, and Joanna Robinson crank up the studio to 98.6 degrees to rewatch Robert Redford in 'Sneakers,' alongside Sidney Poitier, Mary McDonnell, Ben Kingsley, Dan Aykroyd, and River Phoenix.

Movie poster

Cast

Robert Redford as Martin Bishop

Sidney Poitier as Crease

Dan Aykroyd as Mother

David Strathairn as Whistler

Ben Kingsley as Cosmo

James Earl Jones as NSA Agent

Stephen Tobolowsky as Werner Brandis

Directed by: Phil Alden Robinson

Music by: James Horner

Notes

  • Part of Redford Month on The Rewatchables.
  • Budget of $23 million, grossed $105.2 million globally ($50 million domestic).
  • Director/co-writer Phil Alden Robinson worked on the script for ~10 years, starting after War Games.
  • Score by James Horner featuring Branford Marsalis on saxophone. Nick Britell (Succession composer) wrote about his obsession with the score.
  • Kyle calls it 'the most underrated movie of the entire 1990s.' Joanna calls it 'a perfect movie.'
  • Cosmo's speeches about data/information controlling the world are eerily prescient about Silicon Valley, AI, and the 2020s.
  • Everyone followed Redford into the movie – once he signed on, no one said no. The character was originally written younger (~42), but they cast 56-year-old Redford.
  • Aykroyd originally wanted to play Cosmo; they gave him the conspiracy-theorist Mother instead.
  • The movie's title, poster, and tagline ('We'd tell you what this movie is about, but then we'd have to kill you') are universally considered terrible and blamed for hurting its legacy.
  • The consulting mathematician Len Adleman (the 'A' in RSA encryption) helped with the script; he agreed partly so his wife could meet Robert Redford.
  • River Phoenix took the role as 'an easy money job' after the intensity of My Own Private Idaho.
  • Bill's 'unanswerable question': Did Robert Redford wear a wig throughout his career? He spent 40 minutes researching this.

Categories

Roger Ebert's review

Quote from Rog's review:

It's a sometimes entertaining movie, but thin.

Ebert gave it 2.5 stars. Said 'one of the weaknesses is the way it pretends to be a techno thriller, when in fact it recycles much older traditions.' Kyle responded: 'I'm not claiming it's a deep movie, but it matters that things are fun and not stupid.'

Most re-watchable scene
  • Bill: Figuring out where Marty was taken – the cocktail party/sound reconstruction scene with Whistler. 'The way all 5 of them work together, using their individual skills.'
  • Joanna: The cocktail party scene; also the Scrabble tile sequence combined with Whistler/Carl/Mother testing the black box.
  • Kyle: The final heist/fortress sequence – Marty doing the slow walk across Cosmo's office at 2 inches per hour in the 98.6-degree room.
The most 1992 thing about this movie
  • Bill: Redford's baseball jacket (resembles The Natural jacket); computer dating as a plot point.
  • Joanna: Redford's light-wash dad jeans; Mary McDonnell's feathered hair; Bay Area real estate/parking being affordable; the James Horner score.
  • Kyle: Gene Siskel introducing the movie by highlighting Timothy Busfield from 'thirtysomething' over bigger stars.
  • Craig: Hiding something in an answering machine; car phone as a plot point.
What aged the best?
  • Joanna: Information-age paranoia; emotionally stunted Silicon Valley men trying to run/ruin the world. Cosmo's speeches are scarily prescient.
  • Bill: Republican barbs in 2025 context; Redford's old orange VW Karmann Ghia convertible; 'I will not shoot my friend / shoot my friend' bad-guy standoff moment.
  • Kyle: Screenwriting hack of naming a villain 'Dick' for an easy punchline.
  • CR (noted by Joanna): Nick Britell's essay praising the James Horner score as one of the great underappreciated compositions.
What aged the worst?
  • Bill: Redford being 56 playing a younger role; Scrabble tiles declining in relevance; Redford and McDonnell having the exact same haircut.
  • Joanna: Some of Whistler's 'TV wonder' moments (blindness as superpower); tech aspects.
  • Kyle: The seduction scene in the math guy's office is too SNL-sketch silly.
  • Craig: Early-90s tech depictions feel primitive compared to 'Ocean's Eleven' and 'Enemy of the State'.
Best needle drop
  • Bill: 'Bad Bad Leroy Brown' sung in Chinese at the Chinatown karaoke bar.
  • Also: Aretha Franklin's 'Chain of Fools' at the party; Dylan's 'Everybody Must Get Stoned' in background.
Weak link of the movie
  • Kyle: The black box / MacGuffin – never fully understood how it works.
  • Bill and Joanna: Ben Kingsley – 'he's in a completely different movie from everyone else. Bizarre accent. Terrible running form.' Bill created multiple awards for him: the Judd Nelson 'different movie' award, the overacting award, and a new 'Steven Seagal running double' award.
Over-acting award

Bill: Ben Kingsley gets the overacting award – bizarre accent, over-the-top villain performance that clashes with the rest of the cast's lighter tone.

The hottest take award
  • Joanna: This is Redford's best film of the 1990s and his last great movie (acting). 'I don't think it's particularly close.'
  • Kyle: Marty Bishop's slow walk across Cosmo's office is more impressive than anything Ethan Hunt ever did in 'Mission: Impossible'. 'A 56-year-old man who's been knocked unconscious 3 times in the last couple days, doing this in a room that is 98.6 degrees with shotguns coming if he goes 3 inches per second instead of two.'
  • Bill: In 2025, 'Sneakers' might be Redford's most popular movie among people under 40.
Casting what-ifs
  • Jack Black initially passed; was bullied into doing it (different movie – for the podcast).
  • Aykroyd originally wanted to play Cosmo; they gave him Mother instead.
  • Bob Dylan was considered for the Springsteen-type cameo spot (wrong movie – mixing with 'High Fidelity').
  • Joanna noted there are no casting what-ifs because once Redford signed on, everyone said yes immediately.
Best "that guy"
  • Stephen Tobolowsky – incredible 3-year run: Thelma & Louise, 'Basic Instinct', Single White Female, 'Sneakers', 'Groundhog Day'. Kyle: 'Should rename this the Stephen Tobolowsky Best That Guy Award.' 'Is there a better three-year that guy run?'
  • Also: Eddie Jones, the woman who plays Amy Benedict.
Apex Mountain
  • Redford: Not this movie specifically.
  • River Phoenix: 'Stand By Me' or My Own Private Idaho.
  • Sidney Poitier: 1967 (In the Heat of the Night + Guess Who's Coming to Dinner).
  • Walking one inch per hour to evade sensors: Yes.
  • Scrabble tiles: Yes.
  • Ceiling vent climbing: 'Die Hard' (John McClane) still holds.
  • Name 'Cosmo' in pop culture: Still Seinfeld.
Cruise or Hanks?
Hanks wins

Hanks (perfect fit). But older Tom Cruise as Cosmo circa 2005 with 'Magnolia'/Vanilla Sky energy was floated.

Scorsese or Spielberg?

Spielberg clearly – 'Scorsese version would have De Niro as Bishop, Pesci as Cosmo.'

What role would Philip Seymour Hoffman play?

Aykroyd's part (Mother) or possibly River Phoenix's part (early Hoffman doing doofy roles like 'Twister').

Re-casting couch

Bill: Willem Dafoe as Cosmo (Kyle's pick, universally liked). Jon Voight doing evil Bud Kilmer energy. William Hurt (Bill's initial thought; Joanna said too normal).

Picking nits
  • Bill: Redford's potential wig (40-minute research tangent). The 1969 opening scene pizza order being 'wrong' (who orders pepperoni in 1969?).
  • Joanna: The Sputnik reference button at the end of the opening car scene 'tries too hard.'
What memorabilia would you want (or not want!) from the movie?
  • Bill: The Scrabble tiles from the movie.
  • Craig: The 49ers hat Redford wears.
  • Joanna: The black box itself.
Best (or worst!) life lessons from the movie

Look at a stranger's shoes to determine how important the interaction is.

Best double feature for this movie
  • Bill and Joanna: War Games.
  • Kyle: Patriot Games.
Who won the movie?

Debated between Redford and Poitier – no single consensus winner. Bill notes it's really an ensemble win.